Here's what Teenage Engineering, the designers of the synth, have to say about it...
stands for Operator 1 and is a pocket size controller for your favorite
software sequencer. Connect it to your laptop and it lets you control
your sequencers transport with the common play, stop, rec, forward and
rewind. Use it to control your software synthesizers with the 4 rotary
encoders and 16 dedicated quick keys for fast selections.
also a built in motion sensor; you can shake the thing around to change
the timbre of the sounds. Or sample beats directly from the built-in FM
radio (how cool). You can even "memorize a tune by whistling it into
the built-in microphone." All in all, it's pretty amazing what they fit
into this thing.
Interestingly enough... they're not mentioning a price.
More procedurally generated cities. When will it end?
I'm barely even sure what to say about this stuff. Yes, they are just plain cool... that's obvious. But more than that, I wonder if both products might just represent a sea change in the way we create.
Not much description is necessary... just watch. First,
City Engine, which procedurally constructs complex 3D cities. And then ILoveSketch, which allows artists to draw 3D models with––
Nevermind... just watch.
Kevin, for pointing both products out!
March 26, 2009 |
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June 18, 2008
Honda Puyo concept car, announced at the 2007 Tokyo Auto show.
Right off the bat, I should admit... the vast majority of cars bore me. They all look pretty much the same. Concept cars bore me too... they all look like they were designed by the same designer. But the Puyo manages to adopt a retro-future personality while re-thinking the idea of a car.
The idea behind the car: to create a closer relationship, or understanding, between driver and vehicle (for people like myself). To this end, the car was designed to look like a pet. Which reminds me of another time honored car with which we're all familiar...
But unlike the VW Bug, the Puyo has a gel skin. It's true... the white skin of the car is actually soft to the touch. And all lights are hidden, directly beneath the surface of this skin. At the very least, it's an inviting concept.
More about the Puyo:
• powered by fuel cell technology
• glows in the dark • spins 360 degrees, while staying in place • operated with a joystick
But alas, even if if the Puyo is ever brought to wider production – an eventuality I highly doubt – I'll be stuck admiring it from the passenger seat or the side of the road (
I have epilepsy... I can't drive).
More info and photos
June 18, 2008 |
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June 10, 2008
I forgot to mention, I've set up my
new gallery as an
experiment... you get to name the images. The site looks for the most
frequently occurring words of your comments; those words become the ever-evolving title for any particular piece.
June 10, 2008 |
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June 09, 2008
Tinselman website is now up and running. Nothing that fancy... straight too the point and easy to navigate. The new gallery has a few new images (which are all displayed in a variety of sizes), like the painting above. enjoy...
June 9, 2008 |
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June 01, 2008
The Mother of All Demos
A number of years ago, in 1988, my brother and I were showing our first product, The Manhole, at the HyperExpo in San Francisco. We built The Manhole with a hypermedia tool called
HyperCard, similar in many ways to today's web (at a time when the web didn't yet exist). HyperCard served, not only as the first wide-scale implementation of hypermedia, but also as an important precursor to the web.
While we were doing our thing, mostly just enjoying the Expo (it was our first intro to a software show), we couldn't help but notice an enigmatic group, run by one Ted Nelson, calling themselves
Project Xanadu. They made themselves known by roaming the floor in mysterious
black t-shirts, each t-shirt silk-screened with a large "X". How curious... like rebels amidst a HyperCard majority. Who were these men in black?
It might have been the first time I heard of the words
hyperlink, hypertext or hypermedia . It was definitely the first I learned that the "link" concepts, so central to HyperCard, were not original inventions of Bill Atkinson. And it was the first I learned that these concepts, so central to today's web, were older than I was! 1965 to be exact... and the brainchild of aforementioned Mr. Ted Nelson, the leader of these Xanadu crusaders.
What I didn't know until recently, is that a stunted
version of hypertext had been demonstrated as early as 1968. This was no run-of-the-mill boring-vision-of-the-future demo. This was, simply put, "The Mother of All Demos".
Steven Levy first gave it that name and it seems to have stuck: The Mother of All Demos (and oh I really love that name). Douglas Engelbart's whirling vision of the future; it was the
first public use of a mouse, as well as examples of cutting, copying,
pasting, teleconferencing, video conferencing, email, and... hypertext. It's just too damn much for 1968!
From Steven Levy in his book, " Insanely Great, The Life and Times of the Macintosh, the Computer That Changed Everything" :
... a calming voice from Mission Control as the truly final frontier
whizzed before their eyes. It was the mother of all demos. Engelbart's
support staff was as elaborate as one would find at a modern Grateful
Dead concert. ...
click here to watch Engelbart demonstration.
click here for a flyer of the original demo.
Update: Thanks to Kevin for telling me about Belgian inventor, Paul Otlet who, unbelievably, invented hyperlinking decades before Ted Nelson. Read more on Kevin's True Film's blog, or click images below.
Clip from the documentary about Paul Otlet, "The Man Who Wanted to Classify the World". (video)
In this google tech talk, Alex Wright explores the heritage of the web. (video)
June 1, 2008 |
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March 27, 2008
I recently emailed a link of the the "Melodyne Direct Note Access" demo to a dear friend; he responded almost immediately with the following reaction:
Melodyne is crazy cool! Have you actually installed it and tried it out? I watched the demo, and it's like I'm watching an audio version of one of those eye-rolling effects in a sci-fi, where they snapshot and image and then extrapolate a 3d model out of it, or "enhance" the bit depth of an image =). If I had seen this in a movie, I would have definitely laughed.
Click here to see the demo.
March 27, 2008 |
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March 14, 2008
This bizarre (and grossly oversized) alarm telephone looks like it's about 100 years old. It never fails to catch my attention when in the
Paris Musee d'Orsay RER stop: I always wonder if it even works. And why it has to be so big!
Click on the above photo for a wallpaper-sized version
(though I apologize for the graininess of the photo: it was dark).
This photo (
to left) may give some context.
March 14, 2008 |
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